The Proposal

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Stick with me here – The Proposal as a feminist film

Thursday, January 7th, 2010
Sandra Bullock in The Proposal

Sandra Bullock in The Proposal

I really liked The Proposal with Sandra Bullock and Ryan Reynolds. And not just because it was hilarious, well-paced, and looked fantastic. I liked it because I thought it touched upon some issues career women face and was, dare I say it, a somewhat feminist film. Sandra Bullock plays a Type A boss with an aggressive and dominant attitude who always expects the best from everyone. She’s not doing anything wrong, but because she is a woman (and that type of behavior sure isn’t expected in a woman), it doesn’t go over so well at times.

There was one scene where she fires an employee for not doing his job that I found really interesting due to his explosive reaction and how she responds. I unfortunately couldn’t find a clip of this so I’ve written out the dialogue below:

Margaret: Bob, I’m letting you go.

Bob: Pardon?

Margaret: I asked you over a dozen times to get Frank to do Oprah and you didn’t do it. You’re fired.

Bob: I told you that is impossible. Frank hasn’t done an interview in over 20 years.

Margaret: Well that is interesting, because I just got off the phone with him, and he is in.

Bob: Excuse me?

Margaret: You didn’t even call him, did you?

Bob: But…

Margaret: I know, I know. Frank can be a little scary to deal with. For you. Now, I will give you two months to find another job. And you can tell everyone you resigned, okay?

Bob: You poisonous bitch! You can’t fire me! You don’t think I see what you’re doing here? Sandbagging me on this Oprah thing just so you can look good to the board? You are threatened by me! And you are a monster.

Margaret: Bob, stop.

Bob: Just because you have no semblance of a life outside of this office you think you can treat all of us like your own personal slaves? You know what? I feel sorry for you. Because you know what you’re gonna have on your deathbed? Nothing and no one.

Margaret: Listen carefully Bob. I didn’t fire you because I felt threatened. No. I fired you because you’re lazy, entitled, incompetent and you spend more time cheating on your wife than you do in your office. And if you say another word Andrew here is going to have you thrown out on your ass – O.K.?

Throughout the altercation, Margaret stays cool and collected. She clearly doesn’t think much of Bob by the tone of her voice when she says, “I know, I know. Frank can be a little scary to deal with. For you.” If Bob can’t do something that Margaret can get done easily, he doesn’t deserve to work with her.

There’s a later scene in the film where Margaret tells Andrew that she went into the bathroom and cried after Bob called herĀ  a “poisonous bitch.” Despite her hardened exterior, Margaret still has feelings and being called something so degrading in front of the entire office was embarassing. Bob was clearly out of line, but there was nothing Margaret could do about it. I sometimes wonder what the outcome would have been in this exact scene if Margaret were a man and Bob was a woman.

I came across an interesting blog post “The Proposal as a Feminist Statement” by the Third Estate Sunday Review. There was a roundtable about The Proposal and feminism, and some of the stuff people had to say about that scene with Bob was pretty interesting.

Rebecca: …. Some men and masculine women insist The Proposal is sexist. They say Sandra’s playing a backlash role in a backlash film because, yet again, the career woman’s a bitch.

Ava: …. She’s playing a woman with a job and I love how everyone says “career woman” as if it’s bad thing. But I don’t see her as a bitch … Where is she a bitch in the film?

Rebecca: She fires a man, Bob, because he didn’t get an author to go on Oprah. Everyone in the office is scared of her.

C.I.: Her character, Margaret Tate, wants everyone to live up to a professional standard. Is she a bitch? I don’t see how and the film plays with this, it plays with this perception and attempts to implode it. But Bob’s fired for lying. He’s under Margaret, that’s why she can fire him. She told him to get an author to go on Oprah. He told her the author said no. She called the author, talked him into it and found out that he’d never been asked by Bob about it. She confronted Bob with that. That is grounds for dismissal. She gave Bob a direct order. He not only blew her off, he lied to her and told her that he’d tried and the author wasn’t interested. Bob gets to then call her a bitch and everything else while the office that hates her watches with glee. But why do they hate her? Because she won’t play Mommy? A man with the same standards, would he be so hated? He’d be feared but he wouldn’t be so hated. I’m tossing to Mike because he wants to say something.

Mike: Yeah. When she enters the office, her first scene, you’ve got people surfing on the net, joking around, making personal calls. She’s coming down the aisles and all the sudden, they’re freaking out and trying to avoid getting called out by her. Called out for what? For not doing their job. Why weren’t they doing their job to begin with? Where is she a bitch? She’s got standards and she’s the boss. If you don’t like the standards, get another job. But she’s called a bitch and she’s called a witch, and she’s supposedly on her broom, and you name it. And, at the end of the day, their big problem in the office appears to be that despite having a female boss they can’t do what ever they want. In other words, the female boss doesn’t let them push her around and that appears to be why they hate her and call her a bitch.

The Proposal was not meant to be a heavy film – it was marketed as a summer comedy, after all. But I really liked how they gave so much more dimension to Sandra’s character than was necessary. If you haven’t seen this film yet, you really should!

Very addicting trailer – song is Katy Perry’s “Hot N’ Cold”

Sandra Bullock in Parade Magazine – “I’m Aware That I Can Be Annoying”

Thursday, December 3rd, 2009

The Blind Side with Sandra Bullock

The Blind Side with Sandra Bullock

I’m a MAJOR Sandra Bullock fan – I’ve grown up watching her movies and went on a major Sandra Bullock film spree after seeing “The Proposal” in June.

Some of the best films I think she’s done?

The Proposal, Murder by Numbers, Miss Congeniality, Forces of Nature, and Speed.

No matter how “romantic comedy”-like her films were, Sandra’s always managed to play strong female characters, and that’s something I truly admire.

Below is an interview she did with Parade magazine to promote her newest film, The Blind Side , due out Nov. 20. Bullock plays Leigh Anne Tuohy, a flamboyant well-to-do Southerner who makes a life-changing decision to adopt a disadvantaged African-American boy who goes on to become a star football player.

Sandra Bullock told interviewer Jeanne Wolf that she didn’t have to look very far to find the inspiration to play such a strong woman.

Her unexpected passion.
“I like to iron. Ironing is comfort. It’s control. I’m a nutty person who likes to make sure everything is in its place. I am a big ball of high energy and organization and structure. Don’t forget, I’m half-German.”

She may play adorable onscreen, but in real life, she is driven.
“Listen, I know I’m not easy to deal with. I’m controlling, and I want everything orderly, and I need lists. My mind goes a mile a minute. I’m difficult on every single level. I’m aware that I can be annoying.

Her newest film, The Blind Side.
“It’s a film about people doing something for the betterment of someone else in the world. It deals with the ugly side of racial tension, which is still the truth of the South. I could really identify with my character’s determination and outspokenness. She faces some daunting challenges. I understood the fierce sense of what’s right and wrong that was driving her.”

Just like mom.
“My mom was like that. She had blinders on. She did what she did and didn’t care what people thought. But as a kid, I was like, ‘Oh, dear God, please make her stop and be normal.’ I wanted an ordinary mom. My sister, Gesine, and I were lucky enough to be raised by a mother who did things unconventionally, and a father who was fine with the kids being raised that way. There was no gender in our house. I didn’t realize that I couldn’t do what boys could do, because my dad raised me as a boy.”

Struggling to cope with grief and keep her career on track after her mother’s death in 2000.
“I thought, ‘How do I work through this?’ I don’t want to be one of those people who bottles it up. Asking for help was the biggest thing I ever learned. That was a tricky one for me. I usually feel like I can do everything. But I went for help after my mom passed away.”

Marriage was never on the to-do list.
“I didn’t grow up thinking, ‘I’m gonna get married and have someone take care of me. I always wanted to be happy, have a good time, work hard.”

Serendipity brought Bullock together with husband Jesse James. The two met when she went to his bike shop to introduce him to her godson, who was a fan.
“After that meeting, Jesse tracked me down. I had no intention of going out with him. I said no for a month, but then I got to know him. I wasn’t looking for a relationship, but he committed for the long haul.”

Finding a partner for life.
“It’s lucky when you have a partner. It took someone like him who was unafraid. My energy can be daunting. Do you really want to wake up to this at 5 in the morning? Apparently, he did.”

A changed woman.
“I was good at bolting before. I didn’t want to do the work. And I was too selfish to have kids. Now I work at what I love. If I didn’t love him, I wouldn’t be putting in the effort. I do approach things differently now that I’m married. I would never do anything that would harm his heart.”

Falling into step-motherhood.
“The universe put this in our lap. I seemed to have stepped in right when I needed to be there. I now know that anything sweet, really sweet, that I have was nothing that I planned. If you don’t have kids and animals, you don’t truly know what real life is about.”

Embracing her own unconventional nature.
“I never did anything according to what anyone else wanted. That’s why I think I am happy. I do everything 100%–even my stupidest missteps. I know when I’m getting ready to mess up, I’m going to do it full-on. That’s the way I was as a kid. Even into adulthood, I look back at some things and go, ‘I can’t believe I did that.’ But I can also go back and say, ‘I did that, I know I’m responsible for that, and I can make amends,’ and we can all laugh at it, because it’s my mistake. I try not to blame it on anyone else unless I fully know it was their fault–and then I have no problem pointing the finger.

Living with no regrets.
“I have to fight every single day to live my true life. I don’t ever want to come home saying, ‘I should have spoken my mind. I shouldn’t have let someone say something that I didn’t feel was right.’ [But] I have to remember that there’s a balance. I’m in the entertainment business. We’re here to entertain people, to make them laugh and forget.”