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Julianne Moore, Fearlessness Personified

Monday, August 9th, 2010

The most beautiful picture ever taken

The most beautiful picture ever taken

I came across the most beautiful picture ever the other day. It’s actress Julianne Moore in an Alexander McQueen gown holding her baby daughter Liv Helen set across a backdrop of autumn leaves.

That got me thinking of Julianne Moore and the movies I had seen her in. I eventually came to the conclusion that she was one of the bravest and most raw actresses I had ever seen on screen, engaging in everything from taboo subject matter (incest, cannibalism) to “rated-R” sex and nudity. (Let’s just say you wouldn’t be comfortable watching most of Moore’s movies with your parents). Despite how distasteful that may sound, Moore manages to bring grace and elegance to every role. (And despite how much that sentence may have sounded like an oxymoron, I swear it’s true). Many of the films Moore has starred in have elements of darkness, and such explicit content only makes the performances more powerful and real. It doesn’t matter how you may personally feel about such material – I think we all have to agree that Moore is one brave lady.

When I think of an actress that’s the exact opposite of Moore, I think of Julia Roberts. Here’s a perky, beautiful actress who’s hardly ever appeared in a movie that made you do a double take. She’s America’s Sweetheart, an actress manufactured to appeal to the common masses. She’s a Disney character for adults, a woman who appears in movies you never have to think too deeply about because they’re simply not that important. You watch Julia Roberts in movies like Pretty Woman or Eat, Pray, Love. You watch Julianne Moore in Boogie Nights and Hannibal. Which one would you prefer? I thought so.

Julia Roberts is obviously not really like that in real life. She’s a hell of a lot more interesting. It’s just unfortunate that she doesn’t act in movies which require you to think too deeply. That’s a brand she’s fine with being labeled as, and while there’s nothing wrong with that, it unfortunately makes most of her movies terribly dull to watch.

I just personally like feeling uncomfortable or unsettled after watching a movie. Because by that very definition, it affected me in some way. It made me think about what I saw, long after the film has concluded. There wasn’t a clean-cut ending. And I can count on that whenever I watch a Julianne Moore movie. Her fearlessness is refreshing. Don’t mistake that for some twisted call for attention. Moore just doesn’t like to play it safe, and for that I have to salute her.

Some of my favorite Julianne Moore films -

Hannibal

Savage Grace

The Kids Are All Right

Gender Inequality in Hannibal – It’s Not Just a Horror Flick about a Cannibal on the Loose!

Monday, September 14th, 2009
Who Saves Who?

Who Saves Who?

I remember watching Hannibal on DVD when it came out several years ago and not thinking much of it. It was well-made thriller but I didn’t give it a second thought when the film ended.

Several months ago, I rewatched both Silence of the Lambs and Hannibal again, and realized how just how feminist-driven both films were. In fact, I even wrote a paper for my “Monsters A-X” class about how both Clarice Starling and Hannibal Lector were viewed as monsters by the FBI – Starling was a monster because she was an ambitious, hard-working female agent with morals, and Lector was a monster because, well, he killed and ate people. There was almost no distinction between the two in the eyes of the FBI.

Clarice Starling - she's an ambitious female, therefore, she's a monster

Clarice Starling - hard-working female FBI agent

Hannibal Lector - he kills and eats people, therefore, he's a monster

Hannibal Lector - Philosophical Cannibal

Despite Starling’s allegiance to the FBI, the FBI doesn’t want her and in fact, finds her monstrous. As Lector tells Starling in the clip below (starting at 5:29), “You fell in love with the bureau, the institution, only to discover, after giving it everything that you’ve got, that it does not love you back. That it in fact resents you, resents you more than the husband and children you gave up to it. Why is that, do you think? Why are you so resented?…You serve the idea of order, they don’t. You believe in the oath you took, they don’t. You feel it’s your duty to protect the sheep, they don’t. They don’t like you because you’re not like them. They hate you and they envy you. They’re weak and unruly and believe in nothing….I want to know what it is you will do now that everything in the world you’ve cared about has been taken away from you…”

The fact that the FBI turned it’s back on Starling is interesting – gender bias clearly came into play, and that’s something a lot of women worry about, especially when it comes to promotions, raises, and equal pay. Despite the fact that we give it our all, we’re not always given what we deserve.

Silence of the Lambs ended on such a positive note – Starling single-handedly caught the serial killer Buffalo Bill and was praised as a rising star. But 10 years later, when Hannibal rolls around, we see that she still hasn’t moved her way up in the FBI and is still assigned work below her level. Lector is the only one who sees this and asks Starling why she puts up with it.

Hannibal and Starling Face/Off

Hannibal and Starling Face/Off

I hope I never find myself in her position (not being chased by a cannibal, mind you, but being stuck in a dead-end job where I’m not appreciated). I better figure out what I’m worth and stick with it.