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I’m on a Major Elizabeth Gilbert Kick – Her Thoughts on Nurturing Creativity at TED

Saturday, August 28th, 2010

I really loved Elizabeth Gilbert’s talk at TED about nurturing creativity.

I watched this speech exactly a year ago and had no idea what in the world she was talking about. Now that I spend a good chunk of my free time doing creative writing myself, find that I relate to what she is saying about 100%. Most storylines, dialogue, anything truly creative, hits me at the most random times throughout the day. I snatch them instantly so I don’t forget and will later cull from this list when I sit down to write.

“I have had work or ideas come through me from a source that I honestly cannot identify. And what is that thing? And how are we to relate to it in a way that will not make us lose our minds, but, in fact, might actually keep us sane?”

Favorite part of her speech:

I happen to remember that over 20 years ago, when I first started telling people — when I was a teenager — that I wanted to be a writer, I was met with this sort of fear-based reaction. And people would say, “Aren’t you afraid you’re never going to have any success? Aren’t you afraid the humiliation of rejection will kill you? Aren’t you afraid that you’re going to work your whole life at this craft and nothing’s ever going to come of it and you’re GOING TO DIE ON A SCRAP HEAP OF BROKEN DREAMS WITH YOUR MOUTH FILLED WITH THE BITTER ASH OF FAILURE?”

… The answer — the short answer to all those questions is, “Yes.” Yes, I’m afraid of all those things. And I always have been … When it comes to writing the thing that I’ve been thinking about lately, and wondering about lately, is why? You know, is it rational? Is it logical that anybody should be expected to be afraid of the work that they feel they were put on this Earth to do? You know, and what is it specifically about creative ventures that seems to make us really nervous about each other’s mental health in a way that other careers don’t do?

Like my dad, for example, was a chemical engineer and I don’t recall once in his 40 years of chemical engineering anybody asking him if he was afraid to be a chemical engineer. Like, “Got chemical engineering block John, how’s it going?” It just didn’t come up like that. But to be fair, chemical engineers as a group haven’t really earned a reputation over the centuries for being alcoholic manic-depressives.

A Slight “Fifth” Life Crisis – The Realization that I’m Not Getting Any Younger

Sunday, August 22nd, 2010
"Time passes in moments. Moments which rushing past, define the path of a life just as surely as they lead towards its end." -Dana Scully in "all things"

"Time passes in moments. Moments which rushing past, define the path of a life just as surely as they lead towards its end." -Dana Scully in "all things"

I think I may be having a slight “fifth” life crisis. I’m 22 years old, three months out of college, and the thought that I have 80+ years left on this giant blue/green marble we call Planet Earth seems almost incomprehensible. I didn’t become who I am today until around two years ago (it took me 20 years to grow up – I was a really slow beginner), so I tend to think of my life really starting my junior year of college.

As I mentioned in a previous blog entry about life in Florida after graduation, I really love my job and my co-workers. However, the realization that I’m not in school anymore, that there isn’t a set path for me to follow, is a little frightening. In college, you tend to have an idea of what to work toward every year:

Get good grades + participate in extracurricular activities + do well in your summer internship + (probably most important) schmooze with the right people = Get a job after graduation that will make you lots of money and/or happy.

I guess you could say there is a path I could follow post-college given my background. The next ten years of my life seem almost planned out – I’d spend 3-4 years at my current job, go to business school, work for another company at a higher position with a higher salary, and get married.

The fact that there is a template I’m supposed to follow makes me not want to follow it. I don’t even think that’s the path I want to take. (But given how naïve I probably am now about what I want, it’s best to regard whatever I say next with a huge pound of salt. In fact, I’ll probably look back at what I wrote a year from now and laugh my ass off).

My goals (at this point in time anyway) include starting my own payments company and becoming a billionaire so that I can start my own movie studio and bankroll/produce huge event spectacle films – ones with budgets of $50 million plus. I want to make movies that people are excited to see, not ones I have to beg people to watch. I’d also like to marry Conan O’Brien but that might be a bit of a stretch. Check back with me in 20 years and see how I’m doing.

Just last week, I decided to start on a small scale with that goal and bankroll short films with budgets of $1000-$5000. Any dollar not going toward my rent, food, or 401K is going toward my “movie-making” fund. I decided to stop talking about “building my dream movie studio” and actually do it. The stories that would be brought to the screen are ones I’ve created.

One that my friend Stephen Guilbert and I are currently working on is about a college girl on the verge of graduation who has an emotional affair with an older married friend (not autobiographical, I swear). I see it being shot Before Sunrise/Before Sunset style.   The second one I’m writing now is more of a TV pilot-style 21 minute screenplay about two people getting used to life after college. Given what a big fan I am of sexual tension, this screenplay is positively drenched in it. It’ll be like Scully and Mulder for the young adult set. The dialogue veers on Gilmore Girls territory, and the acting infringes upon Arrested Development.

I never thought three months ago that I’d be spending almost all my time outside of work writing creative stories. Once I got into the work force, I started to notice a lot of things about life and people that I unwittingly began putting down on paper. After a while, I realized that I could create stories and funny dialogue out of my observations and began to write.

I just have to say one thing about creative writing – it’s REALLY HARD. Lines and dialogue will often fly into of my head at random times during the day (the best ones often leap into my brain right as I’m about to fall asleep – I guess that’s when I’m most meditative), and I usually collect those thoughts instantly so I don’t forget later. Sometimes, I can’t think of anything novel or interesting (ironically enough, this usually happens when I sit down with the intent of writing) and I just want to cry because the writer’s block is so maddeningly intense.

It’s usually at those points when I wonder how the hell Mitch Hurwitz was able to write his Arrested Development scripts, how he was able to create such a great flow between his dialogue (Hurwitz is the king of wordplay), characters, and situations, how he was able to make everything make sense. I’ve come to the conclusion that he must be some kind of genius.

Although I usually spend my free time writing, I’ve begun to notice the exact number of weeks that have been passing me by, and wondering what I have to show for it. I sometimes get restless and stir-crazy on the weekends, wondering if my writing or what I do outside of work is going to produce anything of value, if I’ll have anything to show for myself a year from now. This feeling of uneasiness is hard to get rid of. No wonder so many writers drink or, in Elizabeth Gilbert’s words, are “alcoholic manic-depressives.”

I’ve begun to notice the minutes ticking away on my life. I read a lot of movie reviews and one of the things people write if they hated the film is, “That’s two hours of my life I’m never getting back.” Given what I’ve noticed about how most people spend their life, that’s the least of their concerns. They should be more concerned about not wasting their life on the trivial matters we burden ourselves with everyday.

People at work will often mention something relating to time that highlight the gravitas of it. Someone will mention that her 22-year-marriage anniversary is coming up and I’ll suddenly realize that’s how long I’ve been alive. I mentioned one day that I was born in ’88, that I was a child of the ‘90s, and one of my older co-workers looked at me in shock, “Holy COW!”

I think that I’m lucky to have some semblance of an idea of what it is I’d like to accomplish in my life. I may not know how exactly I’ll get there (in my mind, I see a dusty, never-ending road, something out of a Jack Kerouac novel) but I know I’m not getting any younger. Time may be a very abstract concept but it can sneak up and whack me in the head with a frying pan without warning. I really, REALLY hope I’m utilizing my time well so it doesn’t.

An hourglass

"Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart." - Steve Jobs

Gilmore Girls – Lauren Graham, A Worthy Vocal Opponent

Tuesday, August 3rd, 2010
Lauren Graham and I both talk really fast

Lauren Graham and I both talk really fast

I remember watching Gilmore Girls when it premiered back in 2000. I had just started seventh grade and thought it was relatively decent – the daughter Rory, played by Alexis Bledel, reminded me of myself. She worked hard in school and wanted to go to Harvard. Except she was much prettier and smarter than I was. And I don’t think my academic aspirations were that high when I was 12.

I watched some episodes from the first season this past weekend and was amazed by how good the writing and performances were on that show. Lauren Graham, in particular, really stands out. Graham was 32 when they began filming and plays the 32-year-old mother of a 16-year-old daughter perfectly. Her character, Lorelai Gilmore, is witty, thinks fast, talks fast, has excellent comic timing and delivery skills, and is very pretty.

In short, she reminds me of myself now. What can I say, I grew out of my awkward and ugly phase (or so I keep telling myself), am hilarious (ask any of my co-workers), and also talk incredibly fast (I’m guessing that’s because the neurons in my brain are racing at a billion miles/nanosecond and my mouth is trying it’s gosh darn hardest to keep up).

Lorelei and Rory in Action:

SCENE:

Rory: I’m going to a serious school now, I need serious paper.

Lorelei: Paper’s paper.

Rory: Not at Chilton.

Lorelai: Alright, fine. Here is your serious paper.

Rory: Thank you.

Lorelai: Ooh and here are your somber highlighters, your maudlin pencils, your manic-depressive pens.

Rory: Mom.

Lorelai: Now these erasers are on lithium so they may seem cheerful but we actually caught them trying to shove themselves in the pencil sharpener earlier.

SCENE:

Lorelai: What’s that?

Emily: It’s dessert.

Lorelai: It’s pudding.

Emily: Well if you knew what it was why did you ask?

Lorelai: You don’t like pudding.

Emily: Yes, but you like pudding.

Lorelai: Oh, I love pudding. I worship it. I have a bowl up on the mantel at home with the Virgin Mary, a glass of wine, and a dollar bill next to it.

SCENE

Lorelai: It was a mistake.

Emily: A mistake?! You call that a mistake!?

Lorelai: Well, I tried calling it “Al”, but it would only answer to “mistake”.

Other than how brilliantly the characters Rory and Lorelai have portrayed me throughout the different phases of my (still short) life, I think that show was very positive for young girls. Rory was very concerned about doing well in school and getting into a great college. She loved her family and friends and was generally a goody two-shoes – but not in an annoying way. Yes, she had a boyfriend but their relationship was a very positive one. Even though she loved him to death, she was still very much her own person with her own goals.

And even though Lorelai was a young mother, she loved Rory and worked hard so that they could have a great life. She was a very positive role model, and was a major reason why Rory turned out the way she did.

I remember all the shows I watched during that time (Buffy, Charmed, etc) dealt with supernatural elements or beings of some sort, and Gilmore Girls was one of the first family-friendly, “normal” shows I watched. They featured realistic characters and a great relationship between a mother and daughter. Rory was very much an idol of mine at the time – I also wanted to be loved by everyone, smart, pretty, and go to Harvard. Now, I find myself resembling Lorelai more and more. Amy Sherman-Palladino (the creator of the show) definitely had a strong sense of how to portray a woman, and did an amazing job bringing these two characters to life.

Sexual Tension and an Unlikely Female Role Model in Luc Besson’s “La Femme Nikita”

Monday, June 28th, 2010
La Femme Nikita

La Femme Nikita

I watched Luc Besson’s La Femme Nikita last month and came to the conclusion that that was the most realistic assassin movie ever made. It’s about Nikita, a teenage girl/street thug who is imprisoned for life after a robbery goes awry and she shoots a police officer dead. While in jail, the French intelligence agency is impressed with her brutality and decides to fake her death and train her to be an assassin. It takes them several years to get Nikita to settle down and take orders but she gets eventually emerges as a talented killer.

After leaving the agency, Nikita lives a relatively normal life with her supermarket cashier boyfriend while assassinating people on the side whenever contacted by the Agency. After a while, however, Nikita grows tired of the lifestyle. Her boyfriend is getting suspicious of her random disappearances and Nikita begins to regret the brutality of her actions. Even though all she does is shoot people from a distance (that’s pretty simple compared to all the other Hollywood assassin movies we’ve seen, am I right?), Nikita begins to hate her imprisonment by the Agency. The fact of the matter is – they own her. They spared her life in jail but made it clear that she was either going to be an assassin or they were going to kill her. At the end of the movie after an assassination gone wrong, (one which requires the ruthless participation of a “cleaner” in destroying the mission’s evidence and all the corpses), Nikita is shell-shocked and runs away from Paris, the Agency, and her supermarket cashier boyfriend.

That’s not an ending I think most of us are used to seeing. Why did she give up? That’s not what the “hero” of the movie is supposed to do. There’s always a clean conclusion in which he redeems himself and destroys his enemies. But there is no out for Nikita  – rather than live a life which will probably kill her (if not physically then mentally), Nikita runs away from her captors to live a new life without violence. That makes her admirable in a way – she refuses to conform to this destructive lifestyle, and decides to take matters into her own hands. Running away is not the most valiant of efforts, but Nikita is strong enough to realize this is wrong and do something about it.

Nikita and Bob

Nikita and Bob - sexual tension personified

What interested me most about the film, however, was the underlying sexual tension between Nikita and her older mentor, Bob. He advises her right from the very beginning, and watches her grow from a street thief to a femme fatale. Throughout the film, you can tell that Bob likes Nikita, something that Nikita picks up on. While she doesn’t do anything about it, you can tell she’s flattered. After a while, however, Nikita realizes her relationship with Bob is not healthy, especially since she now has a boyfriend and Bob interrupts her with assassination assignments at the most inopportune times.

During their last meeting near the end of the second act, Nikita begins to defy him –

Nikita: Interested in my vacation?   I know you and your sadistic games. You’re sick, Bob. I need to tell you that. Your job’s a sewer for you.

Bob:  I’m happy to see you. I miss the time when I had you to myself every day ….. An ambassador, leaving in five months. Get him before he goes. It’s your mission. Choose your team. You’ve got five months. The boss wants a clean, smooth job. I thought of you.

Nikita:  Always on two jobs at once?

Bob: It’s to show I love you.

“I miss the time when I had you to myself every day” would have been such a lovely phrase if it weren’t uttered under such circumstances. At this point, Nikita is sick of being chained to the Agency, and Bob only further serves to hold her down. Although we want Bob and Nikita to get together, it just wouldn’t be right. The sexual tension in this film is perfect – it exists to complicate matters between two characters who are inappropriate for one another but feels oddly right. That feeling is hard to shoot, and Besson pulls it off.

Dear Chelsea: our personalities are so similar I think E! should give me a talk show next

Tuesday, February 9th, 2010
Chelsea Lately

Chelsea Lately

I recently caught some episodes of Chelsea Lately hosted by female comedian Chelsea Handler and absolutely LOVE HER AND HER SHOW.

I think Chelsea is hysterical and love how she doesn’t hold back on anything – she’ll say whatever’s on her mind, no matter how un-PC it may be. She does a great job pointing out the absurdities in celebrity culture and isn’t afraid to make fun at herself and what she does for a living. I also think it’s great that she’s thriving in the “late night television” world, an industry typically dominated by male hosts.

I’m not surprised she’s a success – Chelsea has a ton of energy, is naturally hilarious, and very fast on her feet. She reminds me of myself so I think it’s only natural that E! gives me a talk show next.

Check out some of her interviews below:

On Letterman – I get the feeling Letterman is impressed by how sharp she is

Chelsea interviewing Adam Lambert – Lambert seems like such a sweet guy!

Chelsea spoofing Living Lohan – Ha, “Cody, just get out of the room okay, until I can figure out how to make some money off of you”

Katie Holmes is a college recruiter’s dream in Stephen Gaghan’s 2002 film “Abandon”

Monday, February 8th, 2010
Katie Holmes and Zooey Deschanel at a career fair

Katie Holmes and Zooey Deschanel at a career fair

Smart, beautiful, well-spoken students at a top university - a recruiter's dream

Smart, well-spoken, beautiful students at a top university - a recruiter's dream

Several years ago, I watched a Stephen Gaghan film called “Abandon” starring Katie Holmes and Benjamin Bratt. The reviews for this film were very negative and the trailer is absolutely ridiculous – it makes the film look like a straight-up action thriller.

Despite the criticism, I really liked this film because of the character Katie Holmes portrays – she’s a college senior on the verge of graduating from a top university and has to simultaneously complete her thesis, ace her exams, and go through a grueling interview process to land a top job. Despite the fact that Katie (SPOILER ALERT!) doesn’t turn out to be who we think she is, her character is very smart, well-spoken, and possesses an inner strength that will no doubt propel her to the top career-wise. I really liked watching the scenes where she was interacting with recruiters, interviewing, or focusing on her studies because it’s an ideal image of  “collegial success.”

My favorite scene from the film was an interview she did with McKinsey & Company. Roger Ebert liked it as well – “Watch the way Katie Holmes handles that interview with the high-powered corporate recruiters. It could be used as a training film.” I couldn’t find a video clip of the interview so here is the dialogue below:

Interviewer: Tell us about a problem you’ve encountered.

Katie: My guidance counselor tried to keep me from applying to good schools. I thought she was my friend. She said she understood me and that I would be happier staying close to home, junior college or secretarial school. She hated me.

Interviewer: What action did you take?

Katie: I invited a senator who attended college here to speak at our school.

Interviewer: And what was the result?

Katie: I got a strong letter of recommendation from a U.S. Senator, was accepted early decision and they gave me lots of financial aid.

Interviewer: And what did you learn from this experience?

Katie: Truthfully?

Interviewer: Of course.

Katie: Mrs. Castleman was a sneaky bitch. It was the first time I was betrayed by someone I trusted. I looked up to her. I didn’t come close to understanding the depth to which she resented me. I learned that people who help me, who invest in me become my partners, and my success is their success; that relationships are symbiotic. I learned responsibility based on others’ faith in me. I hope to be able to pay some dividends to those investors.

LATER ON, A CONVERSATION BETWEEN KATIE AND A FRIEND REGARDING THE INTERVIEW:

Amanda: Did you really call some lady a bitch?

Katie: Slight exaggeration.

Amanda: They saw sixty people and liked exactly two – you and that North Korean girl who speaks 8 languages.

Katie: They said that?